This drawing marked the beginning of a new direction for my art in March 2020.
I was looking for a way to combine my love of layers, grid structure, mark-making and patterns and repeats. And it was important that the drawing should have a tonal range from dense black to white. As I cast an eye around the studio for the paper best suited to this project, I remembered my stash of uncut litho-printed pages from my Windsor Emporium Sketchbook.
In 2013 I commissioned Vision Litho to design and produce The Windsor Emporium Sketchbook, a small limited edition book of drawings I had made over the course of a year under the chandeliers of our historic Guildhall. My subjects were the visitors and vendors of the Windsor Emporium, a monthly artist-and-artisan fair featuring handmade and collectible goods. Thus began my habit of returning to the same location, month after to month, to draw for hours at a time.
When I took delivery of the beautifully designed Windsor Emporium Sketchbooks, I discovered the printer had very kindly sent a small stack of surplus uncut A1 pages, my Windsor Emporium sketches printed on both sides. For quite some time I had been mulling over how best to put these to good use. It turns out they were perfect for the project that became Papered Over.
The idea was to cover the page with marks in ink and pencil so that all that remains of the printed imagery is an impression of something underneath. This took me some time, and as the new drawing spread across reproductions of my eight year old sketches, I thought about past and present, and the way things that have gone before influence what we do today.
Ink, pencil and charcoal on litho-printed paper
48cm x 52cm