Cynthia Barlow Marrs SGFA

showcase

Hybrid

Hybrid

As nature intended: unmounted, unframed.

Original
Charcoal, printing ink, acrylic glazes and cut papers on water colour board
24cm x 30cm
Firefly 1 & 2

Firefly 1 & 2

One painting, two canvases. Unframed.

Original
Gesso, drawing ink and acrylic glazes on canvas
35cm x 50cm
Dragonfly

Dragonfly

Mounted, unframed.

Original
Acrylic glazes on papers on water colour board
24cm x 30cm

£225.00
Ocean Floor

Ocean Floor

Original
Printmakers' ink and cut papers on water colour paper
28cm x 26cm
Sold
Brown Nile

Brown Nile

Mount: white deep core
Frame: matte white
Glazing: Mirogard 'Water White' glass
Framing by J Manley Gallery, Eton

Original
Printmakers' ink and cut papers on paper
14.5cm x 14cm
Blue Marsh

Blue Marsh

Original
Gouache and cut papers on paper
13cm x 18.5cm
Blade Mace

Blade Mace

Framed size 44 x 38 cm
Glazing: Mirogard 'Water White' glass
Framed by J Manley Gallery, Eton

Original
Acrylic glazes and cut papers on water colour board
31.5cm x 26.5cm
Blue Lotus

Blue Lotus

Framed size 28 x 32.5 cm
Mount: white deep core
Frame: wood, satin silver finish
Glazing: Mirogard 'Water White' glass
Framing by J Manley Gallery, Eton

Original
Acrylic glazes and cut papers on water colour paper
12cm x 17cm
The Superman Garden at Chelsea Flower Show

The Superman Garden at Chelsea Flower Show

Original
Acrylic glazes and hand-coloured papers on canvas
30.5cm x 30.5cm

£250.00
Savanna (work in progress)

Savanna (work in progress)

Original
Gouache and cut papers on paper
23cm x 20cm
Kimono

Kimono

After a pair of antique obis I bought in Singapore.

Original
Water colour and drawing inks on paper on water colour board.
30cm x 40cm

£250.00
Clare

Clare

Original
Pastel and ink pencil on paper
Ross and Tony

Ross and Tony

Original
Ink pencil in 20 cm square sketchbook
Faces on a Train

Faces on a Train

Original
Graphite in A5 Moleskine sketchbook
New iPad on a Train

New iPad on a Train

Original
Graphite in A5 Moleskine sketchbook
Kings Chamber Orchestra 2

Kings Chamber Orchestra 2

Concert at St John's Church, Egham 27.11.11

Original
Graphite in A5 Moleskine sketchbook
Slough Station

Slough Station

Original
Ink pencil in A5 Moleskine sketchbook
Kalanchoe

Kalanchoe

Original
Pilot Drawing Pen in Moleskine A5 sketchbook
Scott Pack at the Firestation BookSwap 17.11.11

Scott Pack at the Firestation BookSwap 17.11.11

Original
Graphite in A5 Moleskine sketchbook

"Handel's England" candlelit concert, Windsor Box & Fir Co.

The exceptionally talented Jenny McCulloch on flute.

Original
Pilot Drawing Pen in Moleskine A5 sketchbook
Tania Hershman at the Besty Trotwood

Tania Hershman at the Besty Trotwood

Original
Ballpoint pen in A5 Moleskine sketchbook
Mike at the Betsy Trotwood Pub

Mike at the Betsy Trotwood Pub

Original
Ballpoint pen in A5 Moleskine sketchbook
Pink Chair

Pink Chair

Original
Ink and watercolour on paper
25cm x 25cm
Brompton Oratory and the Empire Building

Brompton Oratory and the Empire Building

Seen from the 6th floor Ceramics Department window at the V&A. With the New English Art Club School of Drawing - Plein air London: A four-day workshop drawing in public with Karn Holly and Charles Williams.

Original
Pastel and ink on paper
The Flaxman Recess -- Sir John Soane's House Museum

The Flaxman Recess -- Sir John Soane's House Museum

Drawn standing up, in close quarters, in the dimly lit Sepulchral Chamber

Original
Pen on Paper
30cm x 20cm
Colossal fragment of a colossal horse at the British Museum

Colossal fragment of a colossal horse at the British Museum

From the four-day New English Art Club drawing workshop in London. The horse hails from the Mauseolum at Halikarnassos.

Pen on Paper
Jade Mountain 1

Jade Mountain 1

Original
Pastel, ink and marker on velour paper
15cm x 10cm
Jade Mountain 3

Jade Mountain 3

Original
Pastel, ink and marker on velour paper
15cm x 10cm
Storm Hill

Storm Hill

Original
Gesso, charcoal and pastel on panel
30cm x 30cm

£160.00
Fossil Forest 2

Fossil Forest 2

Original
Graphite pencil on paper
12.5cm x 12.5cm
Moon Shadow

Moon Shadow

From the Lunar series

Original
Graphite pencil on paper
18cm x 18cm
Winter Stag 3

Winter Stag 3

Selected for the 2009 annual exhibition of the Society of Graphic Fine Art.

Original
Graphite on paper
21.5cm x 15cm
Sold
Barrie 1

Barrie 1

New English Art Club School of Drawing: timed exercises in the Heads, Hands and Feet workshop led by Charles Williams NEAC RWS.

Original
Pastel and charcoal on paper
40cm x 40cm
Barrie 3

Barrie 3

Timed exercise: Heads, Hands and Feet workshop of the New English Art Club School of Drawing.

Pastel and charcoal on paper
Armchair Gardener 2

Armchair Gardener 2

Original
Pen on Paper
40cm x 30cm
Sold
Shadow Play

Shadow Play

Shadow Play is now the cover of a superb poetry collection by David Grubb, published by Shearsman. I drew Shadow Play in a Drawing Theatre workshop. In these Flickr photos I'm on the floor creating its sister drawing, Escape http://www.flickr.com/photos/londondrawing/5249117006/in/set-72157625569171998

Charcoal, conte and cut paper on paper
39cm x 42cm
Sold
Paul

Paul

Original
Pastel on Paper
68cm x 59cm
Barry Tumbles Down

Barry Tumbles Down

Barry likes to challenge artists with all sorts of foreshortened "tumbling down" poses. May 2011, at the New English Art Club School of Drawing, in the Life Room at the Royal Academy Schools, led by Julie Jackson.

Original
Pastel on Paper
49cm x 50cm
Tom and the Stubbs Horse no. 3

Tom and the Stubbs Horse no. 3

I'm not quite sure whether I've made Tom monumental or the horse miniscule, but in real life the horse is, well, life-size. So is Tom. I was just thrilled to get the horse's ears right.

Ten-minute pose from the final spring/summer 2011 session of the New English Art Club School of Drawing, in the Life Room at the Royal Academy Schools.

Original
Pastel on Paper
60cm x 70cm
Clelia Day 2 no. 1

Clelia Day 2 no. 1

In the Life Room at the Royal Academy Schools, Clelia is moving slowly, continuously, expressively to music as we draw. She pauses from time to time to hold a pose and then moves on; heaven for artists like me who love gesture drawing and working at speed.

The New English Art Club School of Drawing, led by Julie Jackson. My first hearing of the fabulous 1991 album Passages by Ravi Shankar and Philip Glass, now a favourite on my studio playlist.
May 2011.

Original
Pastel on Paper
58cm x 55cm
Clelia Day 1 no. 1

Clelia Day 1 no. 1

The glorious Clelia modelling for us at the New English Art Club School of Drawing at the Royal Academy Schools.

Original
Pastel on Paper
36cm x 24cm
Cornelius

Cornelius

Original
Graphite pencil on paper
26cm x 21cm
Jenny 1

Jenny 1

Original
Gouache, charcoal and tinted graphite on paper
38cm x 44cm
Anna Carol

Anna Carol

Original
Gouache and conte crayon on paper
58cm x 45cm
Male nude (detail)

Male nude (detail)

When I was a 19 year old fine art undergraduate, the art department brought in a terrific model for intensive life drawing sessions during summer school. Unusually for a male model, he had great curves and a wonderful head of frizzy hair. Only a handful of drawings survive from this period, but this is my favourite.

Original
Conte crayon on newsprint
Nancy (detail)

Nancy (detail)

Graphite drawing

Graphite drawing on cartridge paper
Hand Drawn

Hand Drawn

These are Georgia's hands. That's my scalp. Georgia does wonderful things with my hair.

Graphite pencil on paper
Steve

Steve

And here's our butcher cutting up the beef that went into our boeuf bourguignon.

Original
Graphite pencil on Bristol Board
13cm x 18cm
Hand Drawn Row Zambezi - Robbie

Hand Drawn Row Zambezi - Robbie

In his early teens, Robbie is the youngest member of the intrepid Row Zambezi expedition team. All 15 of them sculled the Upper Zambezi from Angola to Victoria Falls in August 2011 to raise funds for water projects in Zambia.
www.rowzambezi.com

Original
Graphite pencil on paper
13cm x 18cm
Hand Drawn Row Zambezi - Katy (work in progress)

Hand Drawn Row Zambezi - Katy (work in progress)

Katy holds the rudder of one of three gorgeous custom-built sculling boats the Row Zambezi team used in their remarkable expedition in August 2011.

Original
Graphite pencil on paper
13cm x 18cm
The Night Rushes

The Night Rushes

"When despair for the world grows in me/ and I wake in the night at the least sound/ in fear of what my life and my children's lives may be,/ I go and lie down where the wood drake/ rests in his beauty on the water, and the great heron feeds."

- from The Peace of Wild Things, by Wendell Berry

Original
Printmakers' ink and cut papers on water colour paper
17cm x 24cm
Sold
Silver Birch

Silver Birch

Original
Gouache and cut papers on paper
19cm x 19cm
Sold
Mount: white deep core Frame: matte white Glazing: Mirogard "Water White" glass
Fossil 2

Fossil 2

When I was a child in Topeka, Kansas, fossils littered the margins of our school playground. We'd loiter at the fenceline, picking mineralized segmented plant stems out of grass and gravel and crushing them between our fingers. Then we'd brush our hands and rush off to skip rope. The idea that our known world had once been fathoms deep underwater, and that a gentle rain of millions of tiny plants and animals had quietly turned to stone there, still fascinates.

Original
Drawing ink and acrylic ink on water colour paper
34.5cm x 21cm
Sold
Teddy

Teddy

Private commission.

Original
Graphite pencil on paper
Sold
Leaf Fall 4

Leaf Fall 4

Original
Drawing ink and printing ink and cut papers on paper
17.5cm x 17.5cm
Sold
Storm Front

Storm Front

Original
Printmakers' ink, gouache and cut papers on paper
14cm x 17.5cm
Sold
Salt Marsh

Salt Marsh

A delightful landscape I discovered amongst random marks made with a brayer and the tip of a palette knife. Which just shows that some of our most rewarding adventures are ones we haven't planned at all.

Original
Printmakers' ink on paper
10cm x 21cm
Sold
Azimuth

Azimuth

The first of twelve small paintings on the theme of finding one's way. Each background is cut from the same large abstract drawing I created in the USA as a student under the influence of the Austrian artist/ environmentalist Hundertwasser. As I moved from one continent to another over the next few decades, the drawing would turn up, increasingly dog-eared and folded smaller and smaller; like a map I had drawn years before but did not know how to interpret, until, here in England, I discovered Howard Hodgkin.

Original
Pastel, oil pastel, marker and collage on paper
18cm x 13cm
Sold
Moon Trees

Moon Trees

From the Lunar series.

Selected for the 2009 annual selling exhibition of the Society of Graphic Fine Art.

Original
Graphite on Bristol Board
20.5cm x 23cm
Sold
Beautifully framed by J Manley Gallery of Eton, with white acid free deep-bevel board and Mirogard "Water White" glass.
Dune Grass

Dune Grass

This little landscape reminds me of childhood holidays on the hurricane-prone Gulf coast. We would pile in the car and drive for hours, sometimes days, through the landlocked prairies of Kansas and Oklahoma, to hunt for sand dollars on the sky-wide beaches of Florida, Alabama and Louisiana.

Original
Printmakers' ink and pen on paper
17.5cm x 19cm
Sold
Beautifully mounted by J Manley Gallery of Eton, in which acid free deep-bevel board. Unframed.
Eucalyptus

Eucalyptus

Original
Acrylic glazes and cut papers on canvas
25.5cm x 35.5cm
Sold
Dusk

Dusk

Dusk and its companion painting Dawn explore subtle changes of light in the landscape.

Original
Acrylic glazes and cut papers on water colour board
25cm x 30cm
Sold
Red Leaves

Red Leaves

Hand-coloured papers on paper.

Collage
Sold
Coneflower (Echinacea)

Coneflower (Echinacea)

Original
Collage
51cm x 61cm
Sold
Undercurrents at the West Wing arts centre

Undercurrents at the West Wing arts centre

At the West Wing arts centre the Undercurrents panels were hung one next to the other over five metres.

Undercurrents - ten views through a river of words

Undercurrents - ten views through a river of words

Undercurrents is a 5m long section through an imaginary river of words; a story that flows across ten canvases. Its debut was in 2007-2008 at the River & Rowing Museum in Henley-on-Thames (read the
original press release at http://www.kallaway.co.uk/rrm-press-release4.htm). For more information, click the red "about" button below.

Original
Mixed Media on Canvas
120cm x 500cm
What does a story feel like before you find the words to tell it? In 2006 I was trying to write fiction during the River of Words creative writing course at the River & Rowing Museum. I could feel stories wanting to emerge, but it wasn't easy to capture them on paper. I had always had better luck with poetry, but I persisted with fiction and thought about creative flow, and how much goes on under the surface, and how much more there is to creative expression than just the words we see printed on a page. And that brought to mind my previous career as an environmental planner, when I was part of a team designing a flood alleviation scheme. We drew endless cross sections and longitudinal sections to analyze the effects of different channel designs on the flow of water through the system. I was intrigued by the parallels between river flow and creative flow. Then one day as I walked through The Wall gallery in the museum, the space reminded me of a U-shaped flood channel. Why not use that wonderful expanse of white to create a long section through an imaginary river of words? And that is how Undercurrents came about. The idea was to let colour tell a story without words, in ten chapters, each chapter a canvas. The story turned out to be five metres long. The river's surface is at adult's eye level, the riverbed is at child's eye level, and a mass of flowing colour moves upstream to downstream from right to left. But there is more to the story than colour. At a more detailed level, fragments of handwriting are embedded in the water and the riverbed, with quotations about water and flow and creative writing from science books, children's stories, and books for would-be writers. Willow leaves skim the surface like fingers, feeling for stories that rise from the depths and folding them into "little paper boats" like "a fleet of story-arks floating downstream".* Undercurrents made its solo debut in 2007/2008 at the River & Rowing Museum, Henley-on-Thames, and since then has travelled to other locations in the Thames Valley. It was part of my exhibition Shadow and Light in 2008, in 2009 was on loan to Windsor Racecourse, and in 2010 was part of the Querns Fine Art Exhibition during Oxfordshire Artweeks. Undercurrents is a single work of art across ten panels that may be hung in a row or displayed in sections. New paintings based on the Undercurrents format, but adaptable to smaller (or even larger!) spaces, are in the pipeline. Watch this space. *from my poem "Pictograph", about willow trees on a riverbank
Undercurrents 4 5 and 6

Undercurrents 4 5 and 6

Original
Mixed Media on Canvas
120cm(h)
Zebra Leaves

Zebra Leaves

Unframed.

Original
Drawing ink, acrylic glazes and cut papers on canvas board
40cm x 60cm
Sold
Leaf Fall 8

Leaf Fall 8

A painting on four canvases. Unframed.

Original
Drawing ink, acrylic glazes and cut papers on canvas
40cm x 40cm
Urban Fringe

Urban Fringe

Kandinsky meets town planning meets bass and treble clefs. A little jewel of a painting, a one-off of tiny hand-cut slivers of layered colour.

Framed by J Manley Gallery of Eton.
Mount: white acid-free deep core
Frame: black lacquered wood
Glazing: Mirogard "Water White" glass.

Original
Hand-coloured papers on water colour board
20cm x 25.5cm
Ultramarine

Ultramarine

Original
Printmakers' ink on paper
23.5cm x 16.5cm
Sold
Blue Nile

Blue Nile

Mount: white deep core
Frame: matte white
Glazing: Mirogard 'Water White' glass
Framing by J Manley Gallery, Eton

Original
Printmakers' ink and cut papers on paper
19cm x 19cm
Kipper Leaves

Kipper Leaves

Printing ink and charcoal on cut papers on Bristol Board. Mounted, unframed.
12cm x 18.5cm

£125.00
Pod

Pod

Unframed.

Original
Acrylic glazes and cut papers on canvas
30.5cm x 25cm

£175.00
Summer Border

Summer Border

Original
Gouache and acrylic on papers on water colour board. Mounted, unframed.
40cm x 40cm
Red Sumac

Red Sumac

Frame: matte white
Glazing: Mirogard 'Water White' glass
Framing by J Manley Gallery, Eton

Original
Acrylic glazes and hand-coloured papers on water colour board
41.5cm x 31.5cm
Pinwheel

Pinwheel

A pinwheel in the US is a child's toy whirligig.
Mount: white deep core
Frame: wood with satin silver finish
Glazing: Mirogard 'Water White' glass
Framing by J Manley Gallery, Eton

Original
Acrylic glazes and hand-coloured papers on water colour paper
56cm x 76cm

£700.00 Framed
Leaf Fall 3

Leaf Fall 3

Original
Drawing ink and printmakers' ink with cut papers on heavy Khadi paper
34cm x 21.5cm

£180.00
Ross 1

Ross 1

Original
Ink pencil in 20 cm square sketchbook
Sight-size at the V&A

Sight-size at the V&A

Winter Studies with Karn Holly
New English Art Club School of Drawing

Original
Charcoal, graphite, pastel and pen on paper
21cm x 15cm
Degas dancer casts her own shadow

Degas dancer casts her own shadow

Degas and the Ballet: Picturing Movement at the Royal Academy of Arts, London
November 2011

Original
Graphite in A5 Moleskine sketchbook
Kings Chamber Orchestra 1

Kings Chamber Orchestra 1

Concert at St John's Church, Egham 27.11.11

Original
Graphite in A5 Moleskine sketchbook
Kings Chamber Orchestra 3

Kings Chamber Orchestra 3

Concert at St John's Church, Egham 27.11.11

Original
Graphite in A5 Moleskine sketchbook
Salon

Salon

Georgia cutting my hair. For a closer look at her magical hands see the HAND DRAWN series.

Original
Ink pencil in A5 Moleskine sketchbook
Sophie Hannah and Adele Geras at the Firestation Book Swap

Sophie Hannah and Adele Geras at the Firestation Book Swap

That's a cake tin across Sophie's face (left), and a teapot lid on Adele's chin (right). I drew the sofa and the table (laden with cake and teapots) before Sophie and Adele came on stage. Didn't mean to lower Sophie's forehead but sometimes even worse things happen when drawing at speed and on the spot. The shoes are fairly accurate.

Original
Water soluble graphite in A5 Moleskine sketchbook

"Handel's England" candlelit concert, Windsor Box & Fir Co.

Michael on violin, Katharine on harpsichord and Ian on bass viol, with a floating sketch of the remarkable tenor, Rogers Covey-Crump.

Original
Pilot Drawing Pen in Moleskine A5 sketchbook
15.5cm x 24cm
Kate reading at the Betsy Trotwood Pub, Nov 2nd 2011

Kate reading at the Betsy Trotwood Pub, Nov 2nd 2011

My brilliant film-maker friend Kate Brown came all the way from Berlin to read to a packed house. Organized by 4'33", the new online audio magazine who broadcast and podcast edgy short stories read by the authors www.fourthirtythree.com

Original
Ballpoint pen in A5 Moleskine sketchbook
Dave at the Betsy Trotwood

Dave at the Betsy Trotwood

Original
Ballpoint pen in A5 Moleskine sketchbook
Bister for Breakfast

Bister for Breakfast

Bister (or bistre) ink was traditionally made from the soot of burnt beechwood. It's the ink the Old Masters used in their drawings. Today I'm using it to draw the remains of my breakfast.

Original
Bister drawing ink on paper
25cm x 25cm
Cat chair

Cat chair

Original
Pen on Paper
25cm x 25cm
Brompton Oratory

Brompton Oratory

An emotional response to the massive Brompton Oratory, helped along by drawing in the driveway with builders' vans inching past.

Original
Watercolour on paper
Looking towards Monk's Parlour, from the Sepulchral Chamber

Looking towards Monk's Parlour, from the Sepulchral Chamber

A colleague on the four-day London drawing workshop in a recess with her sketchbook. Sir John Soane's House Museum, Lincoln's Inn Fields.

Rainy day at Somerset House Terrace

Rainy day at Somerset House Terrace

Original
Watercolour on paper
Jade Mountain 2

Jade Mountain 2

Original
Pastel, ink and marker on velour paper
15cm x 10cm
Moat

Moat

Original
Graphite pencil on paper
25cm x 50cm

£250.00
Storm Tracker

Storm Tracker

Original
Gesso and charcoal on panel
30cm x 30cm

£160.00
Fossil Forest 1

Fossil Forest 1

Original
Graphite pencil on paper
17.5cm x 17.5cm
The Fishbone Tree

The Fishbone Tree

From the Lunar series.

Original
Graphite pencil on paper
17.5cm x 17.5cm
Sold
Winter Stag 1

Winter Stag 1

From the Lunar series

Original
Graphite on paper
18cm x 18cm
Sold
Barrie 2

Barrie 2

Timed exercise: Heads, Hands and Feet workshop at the New English Art Club School of Drawing.

Original
Pastel and charcoal on paper
21cm x 26cm
Red Braces

Red Braces

Original
Watercolour on paper
31cm x 22cm
Scarf

Scarf

Mounted, unframed.

Original
Pastel, ink and charcoal on paper
14.5cm x 19.5cm

£80.00
Elle

Elle

Original
Watercolour and ink pencil on paper
22.5cm x 10cm
Melissa 1

Melissa 1

Original
Pastel on Paper
29.5cm x 24.5cm
Tom and the Stubbs Horse no. 4

Tom and the Stubbs Horse no. 4

The George Stubbs Horse is a life-size plaster cast, one of many in the Royal Academy School's collection.

Original
Pastel on Paper
80cm x 50cm
Tinka 1

Tinka 1

Original
Pastel on Paper
52cm x 25cm
Clelia Day 2 no. 4

Clelia Day 2 no. 4

Original
Pastel on Paper
Kerry 2 (detail)

Kerry 2 (detail)

Original
Gouache, ink pencil, charcoal and chalk
27cm x 22cm
Kylie and Johnny

Kylie and Johnny

Kylie the wasp-waisted Spitz and Johnny the "Every day is a great hair day" Dachshund live in Chicago. We've never met, but I've heard a lot about them. When I was commissioned to create their double portrait, I had reference photographs for each animal on its own, but none showing the two of them together. I've positioned the dogs facing each other in a head and shoulders composition that I hope not only captures the personality of each animal, but also suggests something of the special relationship between them.

Original
Graphite on Bristol board
18cm x 28cm
Sold
Jenny 2

Jenny 2

Original
Gouache, charcoal and tinted graphite on paper
50cm x 40cm
Anna Carol's Nap

Anna Carol's Nap

Original
Gouache, conte and ink on paper
30cm x 46cm
Female nude

Female nude

Graphite drawing

Original
Graphite drawing on paper
Self Portrait as Undergraduate

Self Portrait as Undergraduate

Original
Graphite pencil on paper
33cm x 23cm
Gary

Gary

This is my dentist, he of the keen eye and the remarkably steady hand.

Original
Graphite pencil on paper
13cm x 18cm
Nancy

Nancy

This one's a bit of a cheat in the Hand Drawn series. Nancy is my sister and doesn't live anywhere near Windsor or Eton, but she loves it here. She also loves tiramisu. From the first bite she was smiling right down to her fingertips.

Original
Graphite pencil on Bristol Board
13cm x 18cm
Hand Drawn Row Zambezi - Dan C

Hand Drawn Row Zambezi - Dan C

Dan straps on the Garmin.

Original
Graphite pencil on paper
13cm x 18cm
Hand Drawn Row Zambezi - Rob (work in progress)

Hand Drawn Row Zambezi - Rob (work in progress)

Rob tightens the rigger bolt.

Original
Graphite pencil on paper
13cm x 18cm
Reed Bed

Reed Bed

Selected for DRAW 11, the 90th Annual Open Exhibition of the Society of Graphic Fine Art
The Menier Gallery, 51 Southwark Street London October 3 - 15

Original
Printmakers' ink and cut paper on paper
19cm x 23.5cm
Sold
Yellow Marsh

Yellow Marsh

Original
Printing ink and cut papers on paper
25cm x 20.5cm
Sold
Bluegrass 4

Bluegrass 4

Original
Printing ink on paper, mounted on canvas
30cm x 30cm
Sold
Leaf Fall 5

Leaf Fall 5

Acrylic and drawing ink on water colour paper1
7.5cm x 17.5cm
Sold
The Fishbone Tree

The Fishbone Tree

From the Lunar series.

Original
Graphite pencil on paper
17.5cm x 17.5cm
Sold
Leaf Fall 2

Leaf Fall 2

I'm drawn to leaves and feathers. And only the flexible nib of a quill could skitter so beautifully over the irregular surface of this heavy handmade paper.
Thanks to John A Parks, Leaf Fall 2 is in the Winter 2010 issue of Drawing magazine, along with drawings by Rembrandt, da Vinci and contemporary artists, in "The Quill Pen - Draw with a Tool of the Masters" (complete with illustrated directions for making your own quill pen!).

Original
Drawing ink and printmaker's ink on Khadi paper
26cm x 20cm
Sold
Beautifully mounted by J Manley Gallery of Eton, with white acid free deep-bevel board. Unframed.
Kylie and Johnny

Kylie and Johnny

Kylie the wasp-waisted Spitz and Johnny the "Every day is a great hair day" Dachshund live in Chicago. We've never met, but I've heard a lot about them. When I was commissioned to create their double portrait, I had reference photographs for each animal on its own, but none showing the two of them together. I've positioned the dogs facing each other in a head and shoulders composition that I hope not only captures the personality of each animal, but also suggests something of the special relationship between them.

Original
Graphite on Bristol board
18cm x 28cm
Sold
Latitude

Latitude

Both Latitude and Azimuth are in the collection of South African owners who now live and work in my part of the world. But 25 years ago it was their part of the world I ventured into, on my own, as a landscape architect and environmental planner. On my first morning in the Transvaal, I woke up under a thatched roof with a Hadida Ibis shrieking overhead, and knew that this moment would always be the before-and-after point of my life.

Original
Pastel, oil pastel, marker and collage on paper
13cm x 18cm
Sold
Darjeeling

Darjeeling

In honour of my morning cuppa.

Sold at the 2009 annual exhibition of the Society of Graphic Fine Art.

Original
Printmakers' ink on paper
14cm x 20cm
Sold
Salt Cod

Salt Cod

With apologies to fish anatomists: a cod's nose does not come to a point. But when this little drawing emerged, the title that immediately swam to mind was Salt Cod. I was hooked.

Original
Drawing ink on paper
18cm x 13cm
Sold
Beautifully mounted by J Manley Gallery of Eton, with white acid free deep-bevel board. Unframed.
Dawn

Dawn

Dawn and its companion painting Dusk explore subtle changes of light in the landscape.

Original
Acrylic glazes and cut papers on water colour board
25cm x 30cm
Sold
Pollen Count

Pollen Count

Pollen grains under an electron microscope: planetary.

Original
Acrylic glazes and cut papers on canvas
25cm x 30cm
Sold
Heuchera

Heuchera

Original
Acrylic glazes and hand-coloured papers on canvas.
25cm x 30cm
Sold
Acrylic glazes and hand-coloured papers on stretched canvas.
Undercurrents  - Ten views through a river of words

Undercurrents - Ten views through a river of words

Undercurrents on The Wall in the Thames Gallery at the River & Rowing Museum in Henley-on-Thames. Undercurrents had its debut here. The ten canvases were hung 600 cm apart on a wall 13 metres long, with captions that showed the phrases embedded in the river and the riverbed.

Undercurrents at home

Undercurrents at home

Undercurrents in mural mode: seven panels are shown behind the sofa and turning the corner, while the remaining three hang on the opposite wall.

Original
Undercurrents 9 - detail

Undercurrents 9 - detail

Original
Mixed Media on Canvas
Undercurrents 1 2 and 3

Undercurrents 1 2 and 3

The upstream end of Undercurrents, water flowing right to left.

Original
Mixed Media on Canvas
120cm(h)